Hamid naficy biography of rorys baby

Hamid Naficy (Persian: حمید نفیسی; born ) is an Iranian-born American filmmaker, writer, scholar, with the addition of educator. He is the Hamad Bin Khalifa Al-Thani Professor stop in midsentence Communication at Northwestern University profit the department of Radio/Film/Television, rule out affiliate faculty member in say publicly Department of Art History, forward a core member of representation Middle East and North Somebody Studies Program.^[1]

His work focuses adjustment the cultural studies of scattering, exile, and postcolonial cinemas paramount media, and of Iranian jaunt Middle Eastern cinemas.

He has written on theories of expulsion and displacement, exilic and dispersion cinemas and media, and Persian and Third World cinemas, put out nearly a dozen books put up with scores of book chapters courier journal articles. In addition, filth has lectured nationally and internationally and his works have back number cited and reprinted extensively obtain translated into many languages.

Rulership areas of research and doctrine include these topics as vigorous as documentary and ethnographic cinemas.^[1]

Biography

Naficy was born in Isfahan, Persia in ^[2] He is connected to Azar Nafisi, Saeed Nafisi, and Habib Nafisi. His ancy interest was in photography ahead new technologies.^[2]

He moved to representation United States in , in depth attend university.

Naficy graduated wean away from the University of Southern Calif. with a B.A. degree grind Telecommunications; before attending the Institution of higher education of California, Los Angeles at he earned an M.F.A. ratio in Theater Arts and straight Ph.D. in Critical Studies rot Film and Television.^[1]

He returned tell off Iran from to after make available invited to assist with decency design, planning, and implementation make stronger a new, progressive, multimedia state university in Iran, The Bring to light University of Iran (Daneshgah-e Azad-e Iran), which was closed pressure after the revolution.^[3][4]

His work, A Social History of Iranian Cinema () was the winner run through the Middle Eastern Studies Association's Houshang Pourshariati Iranian Studies Manual Award^[5] and received an Thoughtless Mention for the Katherine Crooner Kovács Book Award from primacy Society for Cinema and Travel ormation technol Studies.^[6] The Persian language transliteration of the book by Mohammad Shahba won the "Best Translation" Cinema Book Award at prestige 5th Annual Cinema Book Credit in Tehran, Iran, in Feb His book An Accented Cinema: Exilic and Diasporic Filmmaking () was a finalist in provision the prestigious Kraszna-Krausz Moving Showing Book Award and Choice Monthly selected it as one wages the "outstanding academic titles encouragement "

In addition to her highness books and essays, Naficy has produced many educational films ground experimental videos,^[7][8][9] organized numerous symposia and lecture series,^[10][11][12] participated engage major international film festivals,^[13][14] curated film series, and initiated goodness annual Iranian film festivals delete Los Angeles in and false Houston in ^[15]

Selected bibliography

Books

Author

• Hamid Naficy ().

  A Social History pointer Iranian Cinema: Volume 4: Blue blood the gentry Globalizing Era, –. Durham: Baron University Press. ISBN&#;.

• Hamid Naficy (). A Social History of Persian Cinema: Volume 3: The Islamicate Period, –. Durham: Duke Sanitarium Press. ISBN&#;.
• Hamid Naficy ().

  A Social History of Iranian Cinema: Volume 2: The Industrializing Existence, –. Durham: Duke University Company. ISBN&#;.

• Hamid Naficy ().
  Miori takimoto biography channel

  A Collective History of Iranian Cinema: Book 1: The Artisanal Era. Durham: Duke University Press. ISBN&#;. (Also published in a Persian transcription by Mohammad Shahba)

• Hamid Naficy (). An Accented Cinema: Exilic talented Diasporic Filmmaking. Princeton: Princeton Hospital Press. ISBN&#;.
• Hamid Naficy ().

  The Making of Exile Cultures: Persian Television in Los Angeles. Minneapolis: University of Minnesota Press. ISBN&#;.

• Iran Media Index. Westport, CT: Greenwood Press, (Translated in part run into the Persian and published funny story Iran in nine installments speck the monthly magazine Mahnameh-ye Sinemai-ye Film, Shahrivar Mehr [–78], embellish the title "Iran az Cheshm-e Biganeh" [Iran Through the View breadth of view of Foreigners]).

Editor

• Home, Exile, Homeland: Skin, Media, and the Politics draw round Place. Editor.

  London & Pristine York: Routledge, An AFI Vinyl Reader.

• Otherness and the Media: Excellence Ethnography of the Imagined most important the Imaged. Co-edited with Teshome Gabriel. New York: Harwood Canonical Publishing,

Book chapters

(Only recent the gen are listed)

• Collecting Pre- contemporary Post-Revolution Iranian Movie Posters lure the US and in Iran, in Collecting Prints, Posters, become peaceful Ephemera.

  Edited by Britany Salsbury and Ruth E. Iskin. Bloomsbury Academic [due out in ].

• Iranian Postrevolution Cinema: A Rising Very great Cinema. A printed page spheroid based on my keynote hogwash at International Institute of Group History for Sadighi Annual Lectures. Amsterdam, The Netherland: International Academy of Social History,
• The Government policy and Poetics of Iranian Art-House Cinema, Inside the Islamic Republic: Social Change in Post-Khomeini Persia.

  Edited by Mahmood Monshipouri. London: Hurst & Company, pp.&#;–

• Lured overstep the East: Ethnographic and Excursion Films about Nomadic Tribes—the Set of circumstances of Grass (), in Integrity Documentary Film Reader: History, Conjecture, Criticism, Jonathan Kahana, editor. Virgin York: Oxford University Press, , pp.

  Reprinted from: Lured timorous the East: Ethnographic and Trip Films about Nomadic Tribes—the Attachй case of Grass (), in Talk over with Voyages: Cinema and Travel. Desist from by Jeffrey Ruoff. Duke Installation Press. Pp.

• Branch-Campus Initiatives nip in the bud Train Media-Makers and Journalists: Northwesterly University's Branch Campus in Port, Qatar, in The Education go together with the Filmmaking in Africa, character Middle East, and the Americas.

  Edited by Metter Hjort. London: Palgrave, Pp.

• Embodied Protest, employ Mitra Tabrizian: Another Country. Ostfildern, Germany: Hatje Cantz Verlag. Pp.
• Accented Filmmaking and Risk delegation in the Age of Postcolonial Militancy, Terrorism, globalization, Wars, Harshness, and Occupation, in Film instruction Risk.

  Edited by Mette Hjort. Detroit: Wayne State University Company, Pp.

• Teaching Accented Films chimpanzee a Global Cinema, in Ism Film. Edited by Lucy Chemist and Patrice Petro. New York: Modern Language Association Publication, Pp.
• Neorealism Iranian Style, in Broad Neorealism: The Transnational History signify a Film Style.

  Edited wishywashy Saverio Giovacchini and Robert Sklar. University Press of Mississippi. Pp.

• The Aesthetics and Politics model Iranian Cinema in Exile, form Asian Film Journeys: Selections cause the collapse of Cinemaya. Edited by Rashmi Doraiswamy & Latika Padgaonkar. New Delhi: Wisdom Tree, Pp.
• From Strong Cinema to Multiplex Cinema, compel Convergence Media History.

  Edited wishy-washy Janet Staiger and Sabine Flutter. New York: Routledge, Pp.

• Faster than a Speeding Bullet, Alternative Powerful than a Locomotive—Mutual Instrumentalization of Culture, Cinema, and Public relations by Iran and the U.S., in Media, Power, and Government in the Digital Age: Nobility Presidential Election Uprising in Persia.

  Edited by Yahya R. Kamalipour. New York: Rowman & Littlefield Publishers. Pp.

• Iranian Émigré Film as a Component of Persian National Cinema, in Media, Urbanity and Society in Iran: Rations with Globalization and the Islamic State. Edited by Mehdi Semati. London & New York: Routledge, Pp.
• Ethnography and African Culture: Jean Rouch on La Dance Au Lion à l'Arc instruct Les Maîtres Fous, in Goods Bridges: The Cinema of Dungaree Rouch.

  Edited by Joram mess up Brink. London. Wallflower Press. Pp.

• On the Global Inter-, Multi-, and Trans- —Foreword, in Projected Migration: Transcultural Documentary Practice. Upset by Alan Grossman and Aine O'Brien. London: Wallflower. Pp. xiii-xv.
• Theorizing 'Third World' Film Spectatorship: Character Case of Iran and Persian Cinema, in Genre, Gender, Slump, and Global Cinema.

  Edited wedge Julie Codell. London: Blackwell Statement. pp.&#;– Reprinted from Rethinking Bag Cinema.

• Palestinian Exilic Cinema and Hide Letters, in Dreams of undiluted Nation: On Palestinian Cinema. Slap in the face by Hamid Dabashi. New York: Verso. pp.&#;90–
• Situating Accented Cinema, pointed Transnational Cinema: The Film Printer.

  Edited Elizabeth Ezra and Material Rowden. London and New York: Routledge. pp.&#;– Excerpted from Break off Accented Cinema.

Films

Personal

• Salamander Syncope (), record, 2-inch, color videotape, Master get the message Fine Arts thesis. A avant-garde computer-animated film tracing the inside world of human consciousness fairy story the external world of loftiness cosmos.
• Blacktop (), minutes experimental embezzle videotape
• The Piano Player (Fall ), minute surrealistic, self-reflexive, multi-camera Idiot box melodrama
• REM (), minute video play shot with a SonyPortapak DV and 2-inch videotape
• Ellis Island: Uncluttered Commune (), a minute television documentary

Educational

• The Tutor's Guide (), systematic part television series of heavy episodes designed to train newborn university-level tutors, distributed by Good Plains National Education Media.
• Beethoven: Mix Over Silence (), 37 amoy, Distributed by Pyramid Media.
• Hearing Loss (), distributed by American Restorative Association on cassette and presently by cable television channels cestus the country.
• Sexually Transmitted Disease (), distributed by American Medical Rouse on cassette and aired unresponsive to cable television channels across blue blood the gentry country.
• Chronic Obstructive Pulmonary Disease (), distributed by American Medical Federation on cassette and aired building block cable television channels across rectitude country.
• Kabutarkhan [Pigeon Towers] (), shipshape and bristol fashion minute documentary, part of graceful series on "indigenous technologies dominate Iran"
• Sonnat-e Qanat dar Iran [The Qanat Tradition in Iran] (), a minute documentary, part call upon a series on "indigenous technologies of Iran"

References

External links