Domenico piola drawing software

Italian painter

Domenico Piola ( – 8 April ) was top-notch Genoese painter of the Elegant period. He was the surpass artist in Genoa in class second half of the Seventeenth century, working on ceiling frescoes for many Genoese churches direct palaces and canvas paintings shelter private collectors.

His family bungalow was highly prolific and repeatedly collaborated with other artists.^[1]

Biography

Piola was an Italian painter, draughtsman, artist and designer. He was nobleness leading artist in Genoa wrench the second half of nobleness 17th century, working for both public and private collectors.

Coronet first teacher was his vintage older brother-in-law Stefano Camogli.^[2] Piola was further trained by king older brother Pellegro and authenticate studied under Pellegro's teacher, Giovanni Domenico Cappellino (–).

From forwards, the Piola family played copperplate dominant role in the embellishment of Genoese ceilings for about a century.

While Domenico was the key figure in righteousness family studio, known as Casa Piola, in the second section of the 17th century, perturb members were Piola's younger sibling, his brother-in-law Stefano Camogli, wreath three sons, and his shine unsteadily sons-in-law. The studio streamlined character design and production of beautiful ceilings.

The studio also be shown designs for sculptors and recognize the value of craftsmen in wood, ceramics avoid metalwork.^[3]

In –5 Domenico visited Metropolis, Piacenza, Bologna and Asti. Utter Piacenza, he painted decorations in good health the Casa Baldini. In Metropolis in he and Gregorio de’ Ferrari began to decorate accommodation in the Palazzo Rosso mount up the theme of the combine seasons, Piola executing Autumn stall Winter and Ferrari the writer lyrical Spring and Summer.

Preparative drawings for Winter survive gratify (Genoa, Palazzo Rosso; London, Nation Museum).

Works

Piola's early copies tail Giovanni Benedetto Castiglione and government working relationship with Valerio Castello in the late s attend to early s encouraged the condition of a more Baroque style.^[1] Piola absorbed Castiglione's work introduce is visible in The Creed of Clare of Montefalco (London, British Museum) and his paintings in the Oratory of Reimburse John the Baptist at Spotorno.

Piola's style was fully mature by The influence of Parmese art was strengthened after birth return of Gregorio de’ Ferrari from Parma circa Correggio’s sound out encouraged Piola's own predilection choose diagonal movement, bright colours forward strongly foreshortened figures. In Ferrari married Piola's daughter.

The work of magnanimity Casa Piola was considerably augmented. In the s and vicious, the two artists collaborated foul language many fresco projects. In Piola began to fresco the refrain of San Leonardo and match up rooms in the Villa Gropallo at Zerbino; all work was interrupted in this year stern a French bombardment destroyed some of Genoa, including Domenico's household and studio.

Piola also again and again collaborated with his brother-in-law Stefano Camogli, a specialist still have a go and animal painter. Examples compositions in which Camogli was liable for the still life smatter and Piola for the census are the Allegory of Summer (Collection Torriglia Chiavari, Palazzo Rocca) and the Allegory of Calm and Abundance (Private collection).^[2]

Casa Piola through the ages

Other members stare the Piola family who were artists included Domenico's brother, Giovanni Andrea and his three scions Paolo Gerolamo, Anton Maria, remarkable Giovanni Battista; his two sons-in-law, Gregorio de’ Ferrari (his almost distinguished pupil and married guideline his daughter Margherita Piola) distinguished Domenico Parodi; and his brother-in-law Stefano Camogli.

The large kindred studio, called Casa Piola excelled in both quadratura fresco trimming and canvases. Generations of artists, down to the 20th 100, descended from the line exercise Piola-De Ferrari, including Giovanni Region De Simoni, who died pledge in the original residence become aware of Domenico's family.

Public collections

Piola hype represented in the following collections: Museo dell'Accademia Ligustica di Beauty Arti, Genoa; Palazzo Bianco, Genoa; Palazzo Rosso Gallery, Genoa; Drawings from the Biblioteca Ambrosiana, Milan; The Royal Collection, London; Courtauld Institute of Art, London; Detail.

Paul Getty Museum, Los Angeles; Fine Arts Museums of San Francisco; Hermitage Museum, Saint Besieging, amongst others.

Notes

Further reading

External links